{"id":1768,"date":"2025-07-16T15:22:04","date_gmt":"2025-07-16T14:22:04","guid":{"rendered":"https:\/\/bfame.co.uk\/?p=1768"},"modified":"2026-03-16T09:20:51","modified_gmt":"2026-03-16T09:20:51","slug":"the-sound-of-music-2","status":"publish","type":"post","link":"https:\/\/bfame.co.uk\/index.php\/2025\/07\/16\/the-sound-of-music-2\/","title":{"rendered":"The Sound of Music"},"content":{"rendered":"\n


This much-loved classic is brought to life with heart and joy by Queensbridge Musical Theatre Society.<\/em><\/p>\n\n\n\n

QMTS\u2019s latest show, The Sound of Music<\/em>, was a true delight from start to finish. This classic musical about family, love, and courage was performed with warmth, heart, and a whole lot of talent. With beautiful songs and memorable moments, it had the audience smiling, laughing, and even wiping away the odd tear.<\/p>\n\n\n\n

Taking on the role of Maria is no small challenge, but Emily Cottrell made it seem<\/em> effortless. With her bright energy, natural humour and a voice that filled the theatre, she brought real joy to the stage. Her performance of \u201cMy Favourite Things\u201d was a real crowd-pleaser, and she lit up every scene she was in.<\/p>\n\n\n\n

But Let\u2019s Talk About Those Kids\u2026 While Maria may be the lead, the Von Trapp children truly stole the show! Each one was full of character and charm\u2014from cheeky Louisa to clever Brigitta. And little Gretl? Completely adorable. I saw \u2018Team Schnitzel\u2019 and had the pleasure of watching Sophie Stait (Louisa), Jamie Hoare (Friedrich), Daisy Abraham (Brigitta), Joey Ryder (Kurt), Poppy Abraham (Marta), and Ava Lewis-Woodend (Gretl). Each of them brought so much personality and joy to their roles.<\/p>\n\n\n\n

A special mention for Lucy Abraham (Sister Margaretta), who not only performed beautifully herself but shared the stage with her daughters, Daisy and Poppy. QMTS often talks about being a family, and it\u2019s clear that they really mean it.<\/p>\n\n\n\n

Captain Von Trapp, played by Ben Cuffin, gave a thoughtful and powerful performance, showing real depth as his character softened over time. His rendition of \u201cEdelweiss\u201d, performed while playing the guitar, was tender and moving\u2014one of the show\u2019s highlights.<\/p>\n\n\n\n

I can\u2019t mention everyone in this review, but I would like to highlight some standout moments<\/strong><\/p>\n\n\n\n

The\u00a0nuns’ chorus<\/strong>\u00a0created atmosphere and balance, grounding the show in its spiritual core. QMTS show their quality with the opening scene, beautify sung with complex harmonies \u2013 the sisters in full effect.<\/p>\n\n\n\n

Mother Abbess<\/strong>\u2019s soaring \u201cClimb Every Mountain\u201d was a showstopper\u2014powerful and moving. Gilly Harris, take a bow. Clearly you\u2019ve found your calling.<\/p>\n\n\n\n

Max Detweiler<\/strong>\u00a0(Gareth Knipe) and\u00a0Elsa Schraeder<\/strong>\u00a0(Alex Stait) added flair and wit, delivering scenes with sharp timing and charm. Alex added more family to QMTS performing with her daughter (Louisa \u2013 see above).<\/p>\n\n\n\n

Liesl<\/strong>\u00a0might be a \u2018child\u2019 well, 16 coming on 17, but Milly Owen was a real highlight. Singing and dancing while keeping the children in line. I really enjoyed your scene with Rolf (Gianluca Handy) you two did have chemistry. I think Liesl might have giggled when Rolf fell over a chair, but Milly kept it together, complete with a twinkle in her eye.<\/p>\n\n\n\n

The production team, led by Director Sabrina Sacco and Musical Director Stephen Greenway, pulled together something really special. Choreographer Billy Stait brought life and energy to the movement, while Craig Cattell (Production Manager), Emily Owens, and Ben Evans (Assistant PMs) kept everything running smoothly.<\/p>\n\n\n\n

The set design was clever and efficient, using a raised walkway and staircase to create different locations, with props added to transform the space as needed. Lighting and costumes helped bring 1930s Austria to life with care and attention to detail.<\/p>\n\n\n\n

Beautifully Directed and Musically Spot-On – The direction guided us seamlessly through the story\u2014from playful, joyful scenes to moments of real tension as things took a darker turn. Scene transitions were smooth and natural, allowing the emotional moments to land. Vocally, the show was a triumph: strong solos, rich harmonies, and an orchestra that never missed a beat.<\/p>\n\n\n\n

It was a Joy from Start to Finish – <\/strong>QMTS should be incredibly proud of this production. The Sound of Music<\/em> is a big show with big expectations\u2014and this cast and crew delivered something truly special. From its sparkling leads to its sweet ensemble moments, it was full of heart and beautifully done.<\/p>\n\n\n\n

To the entire QMTS family: you really did make the hills come alive. So for now, it\u2019s so long, farewell\u2026 but we\u2019ll be back to see you again soon!<\/p>\n\n\n\n

Reviewed by David T.<\/p>\n","protected":false},"excerpt":{"rendered":"

This much-loved classic is brought to life with heart and joy by Queensbridge Musical Theatre Society. QMTS\u2019s latest show, The Sound of Music, was a true delight from start to finish. […]<\/p>\n","protected":false},"author":1,"featured_media":1771,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[64,51],"tags":[],"class_list":["post-1768","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2025-2026","category-qmts"],"_links":{"self":[{"href":"https:\/\/bfame.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/1768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bfame.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bfame.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bfame.co.uk\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bfame.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=1768"}],"version-history":[{"count":1,"href":"https:\/\/bfame.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/1768\/revisions"}],"predecessor-version":[{"id":1770,"href":"https:\/\/bfame.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/1768\/revisions\/1770"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bfame.co.uk\/index.php\/wp-json\/wp\/v2\/media\/1771"}],"wp:attachment":[{"href":"https:\/\/bfame.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=1768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bfame.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=1768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bfame.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=1768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}