For many, It’s a Wonderful Life is a Christmas classic that has truly stood the test of time and remains high on favourite festive film lists. It therefore came as no surprise that the stage adaptation attracted such a strong audience, which was wonderful to see for this production.
The story centres on George Bailey, who faces despair on Christmas Eve after losing all of his money. At his lowest point, he is visited by a guardian angel who shows him what life would have been like had he never existed.
The focal point of the set was the beautifully twinkling stars and moon against the bridge backdrop Remember the quintessential romantic line from the film? “You want the moon? Just say the word and I’ll throw a lasso around it and pull it down“.
From the opening moments, the angels were introduced against this scene, instantly drawing the audience into the world of the play. A particularly charming detail was that the backstage crew were also dressed as angels when moving furniture and props, a thoughtful touch that maintained the magic and immersion throughout. The use of simple yet effective signage to represent different locations worked extremely well, especially during the “what might have been” sequences, allowing for swift and seamless transitions with minimal disruption.
The core cast of four, supported by a team of extras for the larger crowd scenes, delivered an impressive performance. The actors frequently switched between multiple roles, often with nothing more than a change of hat or scarf, and these rapid transformations were handled with confidence and clarity. Ken Agnew, Pippa Oliver and Kate Pilling deserve particular praise for bringing such a wide range of characters to life with energy and distinction. Nick Room, playing George Bailey, took on a demanding role for his first acting appearance with Highbury, and he rose to the challenge admirably, proving himself to be a real asset to the group.
Director Rob Phillips has certainly earned his angel wings with this production. Each scene flowed smoothly into the next, with well-judged pacing and seamless movement across the stage.
I’m not sure about it being a wonderful life, but a bell has certainly rung at Highbury Theatre this Christmas. This is, without doubt, a wonderful production.
Reviewed by – Emma T
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